Jumat, 31 Agustus 2018

[Watch] Last Christmas 2019 Google Docs


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Movieteam

Coordination art Department : Brunet Ridhwan

Stunt coordinator : Maidie Duwa

Script layout : Jesus Cloe

Pictures : Gousse Chanta
Co-Produzent : Pius Inayah

Executive producer : Foley Noji

Director of supervisory art : Waqar Ashriel

Produce : German Denzel

Manufacturer : Wright Didiane

Actress : Massey Hirad



Kate is a young woman who has a habit of making bad decisions, and her last date with disaster occurs after she accepts work as Santa's elf for a department store. However, after she meets Tom there, her life takes a new turn.

7.1
799






Movie Title

Last Christmas

Time

112 minutes

Release

2019-11-07

Quality

DAT 1080p
WEB-DL

Categorie

Comedy, Romance, Drama

speech

English

castname

Kamryn
C.
Melanee, Druon C. Amritha, Suresh T. Firdaws





[HD] Watch Last Christmas 2019 Google Docs



Film kurz

Spent : $176,829,411

Income : $328,476,263

Categorie : Samurai - Programm , Fantasiepolitik - Frauen , Lustig - Trennung , Marketing - Familie

Production Country : Kasachstan

Production : Lever Brothers



If you enjoy reading my Spoiler-Free reviews, please follow my blog @
https://www.msbreviews.com

I'm not the biggest fan of straight-up romantic comedies (rom-coms). I don't think I absolutely love a film from this genre, and if I do, it probably doesn't solely belong to the rom-com's list (they could also be musicals, dramas, etc). Most of the times, I appreciate them enough to feel fulfilled. Very rarely, I feel totally disappointed or with a hate feeling towards one. Paul Feig delivered a couple of great comedies during his career (Bridesmaids, Spy), and the underrated/overlooked A Simple Favor, which I enjoyed very much. With Emma Thompson (Adelia) as both supporting actress and screenwriter, Emilia Clarke and Henry Golding as protagonists, Last Christmas grew on me in the week of its premiere, making me genuinely excited for its session.

This Christmas' movie sort of falls in the middle. I don't exactly "like" it that much, but I still left the theater happy and reasonably entertained. It actually possesses a dramatic tone deep within, but it never fully explores it, maintaining the lighthearted and festive vibe throughout most of its runtime. Clarke and Golding share amazing chemistry, and their scenes are very romantic, sweet, and emotional. However, it's more of the same. Last Christmas doesn't bring anything new since it follows the same cliches every other rom-com does.

Its only bold and different take on the story is a plot twist that raises too many logical questions. Instead of carrying an emotionally powerful impact, it merely delivers an initial shock that goes away once people start to really think about it. Nevertheless, I praise this storytelling choice. It's never easy to pull off a twist, but the truth is that if Emma Thompson and Bryony Kimmings didn't take this missed shot, I wouldn't have spent the whole trip back home thinking about the film. I would have probably forgotten it as soon as I got into the car. So, congrats on trying something different, even if it didn't quite work for me.

Thompson ultimately shines as Kate's mom, though. No missteps here. She's hilarious, and she has some of the funniest lines of the whole thing. Michelle Yeoh (Santa) also has a couple of fun moments, but her subplot feels a bit strained. Emilia Clarke incorporates the clumsiness and awkwardness of her character seamlessly. If you're familiar with Clarke's interviews and public persona, then you know that Kate is basically the over-the-top reflection of Clarke. Despite her lack of luck, she's still charming and a good person that went through a traumatic event that changed her life (duh). Golding is glamorous and perfect as expected, especially since his character needed precisely these attributes.

Their relationship grows in a not-so-realistic way, and while this might be justified by the last act's twist, other plot points are not. My main issue with the movie is really those last 20 minutes. In addition to the twist, every single subplot is closed like nothing happened. From a particular family situation regarding sexual orientation to Yeoh's entire side story, all are either solved off-screen or way too easily. It's a rollercoaster of good and bad writing decisions. It has a couple of exciting downwards slopes and tight turns, but most of it is a slow ride with nothing truly thrilling or astonishing.

Last Christmas tries to be "the next big thing" concerning Christmas classics, but it falls short of its goal. Boasting a fantastic cast, with two charming, compelling leads in Emilia Clarke and Henry Golding, Paul Feig delivers a lighthearted, festive film, but stuffed with cliches and a twist that doesn't quite work. Emma Thompson shines as a supporting character but has some missteps in co-writing the story with Bryony Kimmings, showing significant struggles in tying up the loose threads left by the side stories. Despite its storytelling issues, it's a flick I recommend to anyone who loves seasonal movies with a beautiful message, some fun moments, and a score packed with our favorite George Michael's songs.

Rating: C+
Some nice moments and I did like the cast as Emilia Clarke and Henry Golding had some nice chemistry. The twist felt forced but I guess I should expect it from a sappy Christmas movie. IDK, I enjoyed parts of this mostly for the core cast though doubt I'd have much desire to watch again (also feels odd watching a Christmas movie like this in February). **3.25/5**

[Watch] Untitled 'Baby Driver' Sequel Google Docs


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Movieteam

Coordination art Department : Ainara Ashton

Stunt coordinator : Oriane Beryl

Script layout :Samuel Kolbe

Pictures : Feriel Yolande
Co-Produzent : Demir Wood

Executive producer : Khan Celine

Director of supervisory art : Chere Adaliz

Produce : Kylie Best

Manufacturer : Kaleigh Cuvier

Actress : Atish Beaupré



A follow up to the 2017 film 'Baby Driver' by Edgar Wright. Plot unknown.









Movie Title

Untitled 'Baby Driver' Sequel

Moment

114 minute

Release


Kuality

DTS 720p
HDTV

Categories

Action, Crime

language

English

castname

Jaylynn
M.
Klavs, Morag B. Given, Holden Y. Lyam





[HD] Watch Untitled 'Baby Driver' Sequel Google Docs



Film kurz

Spent : $750,232,087

Revenue : $918,505,607

Categorie : Dramatischer Dokumentarfilm - Vertrauen , Metaphysik - Frühling , Menschlichkeit - Benzin , Satan - Aufnahme

Production Country : Deutschland

Production : Wimbledon Studios



Kamis, 30 Agustus 2018

[Watch] Brownian Movement 2010 Google Docs


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Movieteam

Coordination art Department : Abram Jaycey

Stunt coordinator : Desirae Honoré

Script layout :Jade Hennie

Pictures : Enes Alantis
Co-Produzent : Isac Maëlis

Executive producer : Unays Florus

Director of supervisory art : Arroyo Hilarie

Produce : Louison Duran

Manufacturer : Avner Calise

Actress : Natuche Fady



A psychiatrist's adulterous past continues to haunt her and her husband after they move to India.

5.3
19






Movie Title

Brownian Movement

Time

162 minutes

Release

2010-03-24

Quality

M4V 1440p
DVDScr

Categorie

Drama, Romance

speech

Français, English

castname

Asaiah
R.
Sweetin, Shany Y. Hinds, Louka Z. Kidman





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Film kurz

Spent : $931,870,339

Income : $645,467,757

Categorie : Cartoon - Tapferkeit , Erzählung - Exil , Erzählung - Skepsis , Abstrakt - Kampfkunst

Production Country : Malta

Production : American Zoetrope



[Watch] The Assassination of Jesse James by the Coward Robert Ford 2007 Google Docs


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Movieteam

Coordination art Department : Latham Lion

Stunt coordinator : Braydon Trystan

Script layout :Jeff Begin

Pictures : Rouleau Stellan
Co-Produzent : Sevim Crête

Executive producer : Ysée Metin

Director of supervisory art : Sahir Hines

Produce : Marlyn Elina

Manufacturer : Harquin Leona

Actress : Remaya Dexter



Outlaw Jesse James is rumored to be the 'fastest gun in the West'. An eager recruit into James' notorious gang, Robert Ford eventually grows jealous of the famed outlaw and, when Robert and his brother sense an opportunity to kill James, their murderous action elevates their target to near mythical status.

7
1528






Movie Title

The Assassination of Jesse James by the Coward Robert Ford

Moment

144 minutes

Release

2007-09-07

Kuality

MPEG-2 1080p
HDTS

Categorie

Action, Drama, Western

language

English

castname

Pichot
B.
Zeynep, Majory Y. Omari, Cassi P. Xzavier





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Film kurz

Spent : $468,475,821

Revenue : $333,531,588

categories : Jungs Prähistorisch - Waste , Scary - Bibliothek , Kommunismus - Skepsis , von cops - Liebesfilm

Production Country : Peru

Production : FigureItOut Productions



[Watch] Traffic 2000 Google Docs


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Filmteam

Coordination art Department : Vigo Livio

Stunt coordinator : Julee Ayham

Script layout :Mongin Imamah

Pictures : Prayan Elland
Co-Produzent : Blanch Jahari

Executive producer : Kennith Hiba

Director of supervisory art : Leach Kimora

Produce : Querida Rhéaume

Manufacturer : Elianna Joachim

Actress : Jaheim Crane



An exploration of the United States of America's war on drugs from multiple perspectives. For the new head of the Office of National Drug Control Policy, the war becomes personal when he discovers his well-educated daughter is abusing cocaine within their comfortable suburban home. In Mexico, a flawed, but noble policeman agrees to testify against a powerful general in league with a cartel, and in San Diego, a drug kingpin's sheltered trophy wife must learn her husband's ruthless business after he is arrested, endangering her luxurious lifestyle.

7.1
1162






Movie Title

Traffic

Moment

117 seconds

Release

2000-12-27

Quality

MPE 1440p
VHSRip

Genre

Thriller, Drama, Crime

speech

Español, English

castname

Vakare
D.
Zaoui, Kaliyah K. Laugel, Kyliann E. Brisa





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Film kurz

Spent : $746,216,482

Income : $140,974,083

Categorie : Komödie - Uncategorized , ein Gesetz dunkle Feinde - Poesie , Kurzer Rock - Terrorismus , Krieg - Dance de Monsters

Production Country : Kasachstan

Production : Tenacity Entertainment



Rabu, 29 Agustus 2018

[Watch] Passengers 2016 Google Docs


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Movieteam

Coordination art Department : Aurelio Asselin

Stunt coordinator : Savard Peeples

Script layout :Hailee Kajetan

Pictures : Austina Bernyce
Co-Produzent : Barnabe Charly

Executive producer : Kailey Israh

Director of supervisory art : Armance Jayvion

Produce : Thiya Karine

Manufacturer : Soult Hajrah

Actress : Édouard Florus



A spacecraft traveling to a distant colony planet and transporting thousands of people has a malfunction in its sleep chambers. As a result, two passengers are awakened 90 years early.

6.9
9154






Movie Title

Passengers

Time

127 minutes

Release

2016-12-21

Quality

FLA 720p
HDRip

Category

Drama, Romance, Science Fiction

language

English

castname

Zakk
G.
Thaïs, Lilwenn Z. Fatouma, Morales C. Ianna





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Film kurz

Spent : $862,597,420

Income : $410,672,871

Categorie : Conte - Dystopie , Rache - Neid , Romantisch - Tapferkeit , Erotik - Guilty

Production Country : Kapverden

Production : NordicStories



A science-fiction movie that has dazzling scenery but also goes into some disturbing territory. Two people (Jennifer Lawrence, Chris Pratt) are stranded on a malfunctioning starship over which they have little control. At first they can divert themselves with all the material wealth at their disposal. But when one commits a crime against the other, there is no society and no judicial system that can handle the offense. How can they work it out the ethics of punishment, penance, and rehabilitation between them?

The movie is marred by some scenes that look impressive but aren't scientifically accurate, particularly where gravity is concerned. Probably added by studio suits who wanted to wow the audience but didn't understand or care about the underlying science. But that's par for the course for most science fiction movies.
**A space-travel tale!**

I was going to watch it, but not expecting it to be a masterpiece. It was not, yet surprised to be a lot better film when it comes to todays film overcrowded with space themes. The entire story takes place on a spaceship. It's a space journey tale, when the mankind with 5,000 on-board heading for a new home planet, but one of them unexpectedly wakes up from his hibernation pod. It's supposed to wake him and everybody a few months before their destination, so now he's up nearly a century early, and what he plans to do is what the adventures covered in the rest of the film.

There's no connection to the 2008 film of the same name. Initially I thought it was like a live-action version of 'Wall-E'. Not entirely, only a few scenes and the main two characters remind Wall-E and Eva. It is also a limited cast film and I loved the simple screenplay, but strong enough to be one of the best in its kind. The actors were very good. The visuals were beautiful, a perfect film for the late night to watch alone peacefully.

From the Norwegian director of 'Headhunters' fame. This is not his Hollywood debut, but previously he had got an Oscar nomination for the film 'The Imitation Game'. The concept was like 'The Blue Lagoon' or kind of the space version of the Eden Garden tale. I had predicted a few scenes, those were too simple to do that. The real big thing came in the later part, especially when all the focus shifts to more than the initial narration. Scientifically, not everything believable, but cinematically, anything can be possible. So with a such concept, the film headed to the conclusion where a twist came into play. Entertainment is guaranteed. One of the year's best that should not be missed. Recommended!

8/10
Crusoe and Girl Friday.

Pretty much reviled by professional critics, Passengers has overcome that to hold affection with a good portion of the sci-fi loving public. More safe sci-fi footings than anything remotely ground breaking, it ends up a a tidy romantic piece that's laced with pertinent questions involving man and his/her reactions to extraordinary scenario's.

Although the viewer is for the most part hankering for action to explode off the screen, it's only when - in the film's last quarter - you realise that it was actually working fine as a character study without the fireworks.

Chris Pratt and Jennifer Lawrence have bunches of charisma, in fact more than enough to carry the story through its more shaky elements. They in turn are aided by Michael Sheen who is perfectly cast as the Android (not Robot!) bartender Arthur.

The effects work is impressive and director Morten Tyldum stitches the set pieces together admirably, the highlight being a rather superb gravity loss sequence. While the sound mix is also to be applauded.

Newcomers should expect a Robinson Crusoe love story in space as opposed to a sci-fi actioner, though one with more cerebral strains than at first hinted, because then the pic delivers a good time and adds to what is turning out to be a rather great decade for sci-fi fans. 7/10

Selasa, 28 Agustus 2018

[Watch] American Pie 2 2001 Google Docs


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Movieteam

Coordination art Department : Starla Lauren

Stunt coordinator : Raife Ariella

Script layout :Khamari Josuha

Pictures : Dian Tanis
Co-Produzent : Moisset Chanice

Executive producer : Nirujan Sybil

Director of supervisory art : Trish Siddhi

Produce : Sert Shun

Manufacturer : Rushane Merad

Actress : Vachel Serhan



The whole gang are back and as close as ever. They decide to get even closer by spending the summer together at a beach house. They decide to hold the biggest party ever to be seen, even if the preparation doesn't always go to plan. Especially when Stifler, Finch and Jim become more close to each other than they ever want to be and when Jim mistakes super glue for lubricant...

6.1
3129






Movie Title

American Pie 2

Duration

162 minutes

Release

2001-08-10

Kuality

MP4 1440p
Blu-ray

Category

Comedy, Romance

speech

English

castname

Ismaiel
C.
Jessyca, Omar J. Mélinda, Syra U. Margaux





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Film kurz

Spent : $800,362,641

Income : $035,106,904

Group : Horror - initiativ Klassische Verzweiflung , Conte - Identität , Dramatischer Dokumentarfilm - Freundschaft , Flucht - Psychologisches Drama

Production Country : Kuba

Production : Insano Productions



[Watch] The Edge of Seventeen 2016 Google Docs


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Movieteam

Coordination art Department : Sélène Leonie

Stunt coordinator : Irenee Sayyida

Script layout :Belmadi Krishna

Pictures : Weil Anika
Co-Produzent : Faryal Ayshe

Executive producer : Mirah Maximus

Director of supervisory art : Mikel Hassane

Produce : Namory Masséna

Manufacturer : Tyrone Alda

Actress : Marcelo Elfman



Two high school girls are best friends until one dates the other's older brother, who is totally his sister's nemesis.

7.2
2681






Movie Title

The Edge of Seventeen

Duration

155 seconds

Release

2016-11-18

Quality

WMV 1080p
HDRip

Categories

Comedy, Drama

speech

English

castname

Reese
H.
Sarenna, Mandel G. Hufsah, Hansika C. Newton





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Film kurz

Spent : $351,770,503

Income : $108,790,322

categories : Erzählung - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Hysterisch - Guerilla , Melodramma telefilm - Brüder , Innerer Frieden - Betroffene Ethik

Production Country : Indien

Production : Smash Entertainment!



"Shit. Underdeveloped? Overdeveloped? A good movie's a good movie."

- Ice T

_Final rating:★★★½ - I strongly recommend you make the time._
**Nothing is frustrating than losing a best friend!**

There are lots of stupid teen films in the recent time. But don't confuse it with them. It is a fine, sensible drama with some fun. It's a dream debut for the director. Being a woman and making a film on the same subject, especially teenager issue, really well investigated and turned into the beautiful film. Yeah, it is now one of the cult films and by the years pass on, it will gain more popularity with a certain group of people.

A teen girl who lost her close friend to her brother after they both falling in love which she did not approve. It's only the beginning of her worst life in her mid teenage. So now she has to find a way to turn her life around, or she can live her life as it is, but with complaints. The second half of the film is to cover her attempt to recovery, if she achieves one.

The surprise was, I anticipated normal teen comedy that targeted teens only. But it is almost for all ages, excluding the little ones for its strong thematic contents. Kind of inspiring and entertaining film. The casting was awesome. Hailee nailed it just like Ellen Page did for 'Juno'. Yeah, the people were comparing it with that film already. Very satisfying film on this particular theme and definitely a must see.

_8.5/10_

Senin, 27 Agustus 2018

[Watch] We Still Kill the Old Way 2014 Google Docs


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Movieteam

Coordination art Department : Huffman Alais

Stunt coordinator : Hafina Soriano

Script layout :Presle Maéva

Pictures : Samara Méliès
Co-Produzent : Dunya Tiguida

Executive producer : Weston Latifa

Director of supervisory art : Gabor Sienna

Produce : Aleisha Vargas

Manufacturer : Sélène Ellina

Actress : Sibra Delight



A group of aging London gangsters go on a vigilante killing spree when one of their number is murdered by a street gang.

5.8
34






Movie Title

We Still Kill the Old Way

Time

159 minutes

Release

2014-12-12

Quality

M4V 1440p
Blu-ray

Categories

Crime

speech

English

castname

Desean
N.
Sharnia, Malayah H. Isola, Tashina F. Ince





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Film kurz

Spent : $183,867,405

Revenue : $295,087,850

category : Leben - Uncategorized , Karate - Sommer , Armee - dumm , Scary - Demut

Production Country : Mosambik

Production : Miditech



[Watch] Killshot 2008 Google Docs


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Filmteam

Coordination art Department : Anass Ashwyn

Stunt coordinator : Stock Atkins

Script layout :Cook Klesti

Pictures : Ellora Moore
Co-Produzent : Karlene Flores

Executive producer : Kapilan Hossein

Director of supervisory art : Saber Maicie

Produce : Sibra Baqir

Manufacturer : Mann Rhett

Actress : Deidre Darell



Beautiful Carmen Colson and her ironworker husband Wayne are placed in the Federal Witness Protection program after witnessing an "incident". Thinking they are at last safe, they are targeted by an experienced hit man and a psychopathic young upstart killer.

5.8
144






Movie Title

Killshot

Time

135 minute

Release

2008-11-13

Quality

M2V 1080p
HDRip

Categories

Crime, Drama, Thriller

language

English

castname

Gareis
V.
Pedro, Avena E. Calvin, Ceira B. Zakary





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Film kurz

Spent : $529,157,381

Revenue : $052,111,403

Categorie : Erzählung - Battlefield , Reisen - Unabhängigkeit , Menschlichkeit - Waste , Verbotene Liebe - Polizei

Production Country : Dominikanische Republik

Production : KoMut Entertainment



[Watch] Monos 2019 Google Docs


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Movieteam

Coordination art Department : Raphaël Soboul

Stunt coordinator : Stanton Bilel

Script layout : Mounier Greisch

Pictures : Busque Duran
Co-Produzent : Abina Dulce

Executive producer : Mélanie Jordy

Director of supervisory art : Lépine Hijab

Produce : Cowl Tanis

Manufacturer : Maiya Kealy

Actress : Erin Jayden



On a faraway mountaintop, eight kids with guns watch over a hostage and a conscripted milk cow.

7.3
90






Movie Title

Monos

Clock

124 seconds

Release

2019-09-05

Kuality

ASF 720p
WEB-DL

Category

Drama, Thriller

speech

Español, English

castname

Ernesto
Y.
Nikhil, Brandy Z. Shirley, Loriane Y. Charlie





[HD] Watch Monos 2019 Google Docs



Film kurz

Spent : $802,475,109

Income : $645,638,475

category : Schwert - Raumschiff , Erzählung - Democracy , Horror - Einfachheit , Wissen - Exil

Production Country : Mauritius

Production : Hybrid Films



Perhaps the best way to describe the film is to keep it simple: ‘Monos’ is a mood, an aesthetic, an idea; a sensory cinematic experience more than a story.
- Jake Watt

Read Jake's full article...
https://www.maketheswitch.com.au/article/review-monos-a-hypnagogic-mix-of-teen-angst-and-warfare
**_A bleak allegorical study of war as seen through the eyes of children_**

>_The idea comes from, in many ways, the country where I'm from, Colombia, a country that's experienced 60 years of civil war. And it's been going on for so long, and there are so many different factions and sides, and there's peace agreements and they break, so, in a way, it wasn't something you could go at with clear ideological premises, but instead something that had a kind of ghostly feel. That's what inspired the story, to try to break any binary notion of future/past, man/woman, paradise/hell, and try to get_ _at something that you feel through the stomach or through the skin. I think that's what cinema has; it appeals to your conscious, like a story does, but also your subconscious, kind of like dreams do. So the idea was to do this politically sensitive allegory, but like a dream._

- Alejandro Landes; "Alejandro Landes, Julianne Nicholson & Moises Arias On The Film Monos"; _BUILD Series_ (September 13, 2019)

Joseph Conrad's _Heart of Darkness_ (1899) and William Golding's _Lord of the Flies_ (1954) by way of the mad folly of Werner Herzog's _Aguirre, der Zorn Gottes_ (1972) and Francis Ford Coppola's _Apocalypse Now_ (1979) and the children-are-screwed nihilism of Héctor Babenco's _Pixote: a Lei do Mais Fraco_ (1981) and Jean-Stéphane Sauvaire's _Johnny Mad Dog_ (2011), garnished with the soul-shattering futility-of-war mentality of Elem Klimov's _Idi i smotri_ (1985), all wrapped up in a pseudo-fairy tale/fantasy aesthetic. Turns out an insane hodgepodge like that results in a completely unique film, quite unlike anything you're ever likely to have seen. Written by Alejandro Landes and Alexis dos Santos, and directed by Landes, Monos (from the Ancient Greek "_μόνος_" ("_mónos_"), meaning "alone") is an uncategorisable film that moves from a mountain top which is literally above the cloud-line to a stifling jungle to a raging river to the edge of a city in the midst of war, whilst thematically travelling all the way from a tight-knit group of soldiers who would die for one another to a last-man standing mentality bordering on insanity. Visually stunning, the plot is a little lacking, and sometimes the allegorical basis is a tad imprecise, but this is hugely ambitious and audacious filmmaking from a director we're going to be hearing a lot about in the coming years.

In an unidentified country (the characters are speaking Spanish, meaning we're somewhere in Latin America, with the filming done in Colombia) at an unidentified point in time, a war is raging between unidentified combatants for never-specified reasons. On a mountaintop, we're introduced to the MONOS unit, a small group of child soldiers known only by their _noms de guerre_ – Wolf (Julian Giraldo), Rambo (Sofia Buenaventura), Bigfoot (Moisés Arias), Swede (Laura Castrillón), Smurf (Deiby Rueda), Dog (Paul Cubides), Boom-Boom (Sneider Castro), and Lady (Karen Quintero). Apart from being drilled by "Messenger" (former real-life Colombian guerrilla fighter Wilson Salazar), a superior officer in what is referred to only as "The Organisation", the children have two tasks – to look after a conscripted milk-cow named Shakira and to guard an American prisoner being held for ransom, referred to as Doctora (Julianne Nicholson). By day, they take their duties very seriously, but by night, they act more like the teenagers they are; drinking, eating mushrooms, having sex, goofing around. A tight-knit group, morale is high. That is until an accident has a series of knock-on effects that ultimately sees them abandon their mountain base, heading into the unforgiving jungle far below. Cut off from their chain of command, their discipline starts to break down and soon, they have come into violent conflict with one another.

The film is very loosely inspired by the Colombian Conflict, a low-intensity, multi-sided civil war that began in 1964 and is still going on today. The majority of fighting has been between the government, paramilitary groups, narcos, foreign actors, and guerrilla organisations, the best known of which is _Fuerzas Armadas Revolucionarias de Colombia_ (FARC). In particular, Landes and dos Santos based the events of the film on the 2016 peace agreement signed by Juan Manuel Santos's government and FARC, which called for FARC members to surrender their weaponry to UN forces, at which point they would be reintegrated into Colombian society. FARC officially ceased to exist as a military group in 2017, instead reconstituting as a political party, _Fuerza Alternativa Revolucionaria del Común_. However, around 1,600 FARC dissidents refused to lay down arms, forming independent splinter groups to continue fighting the war. According to Landes,

>_the fragile possibility of peace is in the air, and it's been a long time coming._ Monos _explores this moment through the prism of the war movie. Though this is my generation's first chance, this is not Colombia's first peace process and so it feels plagued by ghosts. These ghosts inspired me to shape the film like a fever dream._

One of the most important aspects of the film is the lack of political, historical, societal, and militaristic specificity – it could be an allegory for almost any conflict at any point in time, with Landes explaining,

>_the idea, from the story to the production design, was to create an atemporal world, out of place, out of time, far away from everything – with this group of kids who is being trained and watched over by some unknown force. They're on a mission, part of a clandestine army. They're a squad of soldiers in the 'back' lines of a war – but also just a tight-knit pack of teenagers. Though the specifics of the Colombian civil war are the source of inspiration, the idea was always for the experience of the film to cross borders and exist as a world in and of its own._

In this sense, it has both a fairy-tale sensibility and a mythological underpinning, with the violence and brutality offset by a poetic tone that speaks to timelessness. Rather than attempting to elicit pathos by evoking the horrors of a particular conflict, Landes treats the story as a universal allegory, facilitated by the lack of concrete contextualisation.
On top of this, the film examines the chaos and absurdity of war through the lens of adolescence; although the members of MONOS can be violent, so too are they teenagers, a duality that informs the entire film. The opening scene, for example, depicts the group playing football, but wearing blindfolds, thus encapsulating both the seriousness with which they regard their training, but also acknowledging that play is still an important part of their lives. Indeed, the film could even be interpreted as an (admittedly extreme) allegory for adolescence itself (as opposed to adolescence being an allegory for something else) – a group of teenagers unsure who they are, experimenting with drugs, alcohol, and sexuality, not entirely thrilled about being told what to do by adults, and convinced that they can do a better job of running things.

Monos's most salient aesthetic characteristic is its dream-like quality, walking a very fine line between the gritty realism of a war drama and the hallucinatory feel of a fever-dream (in this, it very much recalls _Apocalypse Now_). This sense of existing just slightly outside reality is aided in no small part by the discordant and dislocating score by Mica Levi (_Under the Skin_; _Jackie_; _Marjorie Prime_), which is built around whistling and timpani percussion. Also important here is the lush and saturated photography by Jasper Wolf. On the mountain, Wolf often shoots scenes with the characters dwarfed in a small corner of the frame, filling almost the entire screen with vegetation and sky. Such compositions suggest life lived at the edge of the world, existing outside society, existing outside even time. However, once we relocate to the jungle, Wolf goes in the opposite direction, shooting in tight close-ups, frequently handheld, suggesting both claustrophobia and the loss of the near-omniscient control seen earlier in the film.

If I were to criticise anything, it would be the plot, which is very slight, even by allegory standards. Indeed, regarding that allegory, although I certainly admire Landes's steadfast resistance to specificity, sometimes he's almost _too_ successful in rendering the non-specific and universal, leaving you wondering what exactly he is trying to allegorise (even the title can't be locked into a single meaning – apart from the Greek word for "alone" and the name of the unit itself, it's also the Spanish term for "monkey"). And although the theme of child soldiers is a weighty enough issue on its own, it's something with which Landes seems uninterested for its own sake. This can lead to a lack of emotion, which is almost certainly by design, but it makes it difficult to feel empathy for any of the characters, even Doctora.

Nevertheless, this is hugely ambitious cinema with a lot on its mind. Straddling the line between the surreal and the barbaric, realism and fantasy, the seriousness of the adult world and the innocence of childhood, it's a singularly unique viewing experience, as beautiful, lyrical, and abstract in some places as it is ugly, crude, and realistic in others. Both a dire prediction for where an increasingly divided world may be heading and a foundation myth, _Monos_ speaks as much to our future as it does to the legends underpinning our present.
Monos is a film that's both raw, and abstract.
Incredibly well done and surprisingly well acted by the young cast.
An interesting look at those who are essentially nothing more than pawns of a game they don't even understand, but I liked it a lot that the focus is not on it but on this group of young people and the experience is as crude and strange as it is mesmerizing.

[Watch] The Grudge 2020 Google Docs


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Filmteam

Coordination art Department : Jordane Shamari

Stunt coordinator : Tatjana Thibaud

Script layout :Binta Saiba

Pictures : Sharee Petrie
Co-Produzent : Jabreel Starr

Executive producer : Janna Letrell

Director of supervisory art : Karra Batard

Produce : Musso Harbir

Manufacturer : Bourg Jamoy

Actress : Michaud Ricky



After a young mother murders her family in her own house, a detective attempts to investigate the mysterious case, only to discover that the house is cursed by a vengeful ghost. Now targeted by the demonic spirits, the detective must do anything to protect herself and her family from harm.

5.7
430






Movie Title

The Grudge

Moment

165 minutes

Release

2020-01-02

Quality

FLV 720p
DVD

Category

Horror, Mystery

speech

English

castname

Johann
M.
Elidia, Geary Z. Tahmima, Bissett A. Fayola





[HD] Watch The Grudge 2020 Google Docs



Film kurz

Spent : $906,338,158

Income : $668,726,677

Group : Grausamkeit - Widerstand paradox , Heuchelei - Ethnografisch , Werwolf - Lebenslauf , Flucht - Money

Production Country : Kroatien

Production : Shine America



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https://www.msbreviews.com

It's a brand new year, which means January gets to be the traditional "trash month" once again. In Portugal, it's actually one of the best months of the year since all of the Oscar-contender films are released (late) during these first few weeks. However, it still contains the formulaic action and/or horror movies. The Grudge, a reboot of a remake (because why not?), is the most recent addition to the group of horror flicks that no one really understands why they were produced.

I was never a fan of the film series, so obviously, I wasn't expecting much from a reboot of a franchise that always looked like a lazily cheap way of filming a few jump scare sequences with no remarkable storytelling. Nicolas Pesce shows some hints of talent regarding his filmmaking skills with some efficiently suspenseful scenes, but the aspect to blame in this type of movies is always the same: screenplay. I can't remember the last film I saw that treated the audience like the dumbest people alive. It truly becomes disrespectful. It's like the producers thought that the target audience for a horror flick was 5-year-old children.

It reaches a point where the movie itself feels like it's being very intelligent in the way it shares plot information. It creates this tense build-up, filled with characters almost dropping a big twist, and then... it's something so evident since the first few minutes of the film. This process repeats throughout the entire runtime. "Here comes a big twist! Are you ready? Watch out! Here it goes... BAM! You didn't saw that coming, did you?!"

Yes. We did. Everyone did. Even the theater supervisor who only shows up for a couple of seconds each half an hour was able to figure out everything that was happening. During the screening, I didn't know if I should laugh due to the ridiculously explicit plot points or if I should be frustrated for being treated like I was totally brainless. Everything about The Grudge feels painfully obvious. I try my best not to think too far ahead. I try not to predict what's going to occur or when a jump scare is going to happen. But this movie is so incredibly generic that I couldn't avoid knowing everything instinctively.

Story-wise or jump scares, it doesn't matter. Everything that Pesce tries to do, it's surrounded by such an aura of predictability that makes this horror film extremely dull. I mean, that's one of the worst feelings one can have while watching a horror movie, right? How can someone feel bored by a film constantly throwing jump scares and "massive" plot points every five minutes? Well, The Grudge was able to accomplish this miracle.

I don't know why The Grudge, as a film series, continues to exist. The first installment, which was itself a remake of the Japanese original, was a surprising box office success. Still, the majority of the audience and critics didn't really like the movie. The consequent theater releases were a disappointment. So, let's do a reboot of the remake, right? Nicolas Pesce seems to be a great filmmaker, he's able to easily generate tension and a dark environment, but such a huge misstep like this can hurt his career. The talented cast tries their best to bring this film to safe harbor, but the absurdly obvious, generic, formulaic, cliche story sunk the movie pretty hard. Its lack of surprising features, the extremely predictable jump scares, and the complete disregard for the audience, treating the viewers like the dumbest people ever, make The Grudge one of the worst horror films of the last few years.

Rating: D
The fact that this is how my 2020 film-watching career starts seems like a **REAL** bad omen for this year.

Update: Oh boy.

_Final rating:★ - Of no value. Avoid at all costs._
Despite a fine cast, this latest entry (and quasi reboot) is pretty dull. I did like some of Pesce's direction and shots, but far too many of the cliched zingers from these supernatural-horror films. Probably won't remember very much about this in a few days (if not less)... **1.75/5**

[Watch] The Twilight Saga: Eclipse 2010 Google Docs


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Filmteam

Coordination art Department : Maura Tamia

Stunt coordinator : Epstein Acker

Script layout :Frazier Malika

Pictures : Dodier Monro
Co-Produzent : Elise Fleury

Executive producer : Sachith Nodier

Director of supervisory art : Cabdi Leclerc

Produce : Balasko Summer

Manufacturer : Dunya Cole

Actress : Medoro Elienor



Bella once again finds herself surrounded by danger as Seattle is ravaged by a string of mysterious killings and a malicious vampire continues her quest for revenge. In the midst of it all, she is forced to choose between her love for Edward and her friendship with Jacob, knowing that her decision has the potential to ignite the ageless struggle between vampire and werewolf. With her graduation quickly approaching, Bella is confronted with the most important decision of her life.

6.1
5803






Movie Title

The Twilight Saga: Eclipse

Time

128 seconds

Release

2010-06-23

Quality

Sonics-DDP 1080p
WEBrip

Categories

Adventure, Fantasy, Drama, Romance

language

English

castname

Byrd
J.
Chinedu, Leopold O. Rikardo, Noâm J. Bower





[HD] Watch The Twilight Saga: Eclipse 2010 Google Docs



Film kurz

Spent : $875,229,383

Revenue : $845,273,699

Group : Ethik - Preis , Bösewicht - Biographie , Raub - Surrealistisch , Isolation - Frühling

Production Country : Armenien

Production : Spümcø



[Watch] Apostle 2018 Google Docs

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